Tramlines 2024: Music festival featuring Paolo Nutini, Jamie T and Snow Patrol set to return to Sheffield this July

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Sheffield’s biggest music festival is set to return to Hillsborough Park from 26th-28th July 2024, with tickets still available.

Who is playing Tramlines 2024?

The popular event will see Paolo Nutini headline the mainstage Friday night, with other acts playing that day including indie darlings Bombay Bicycle Club, ‘Murder on the Dancefloor’ hitmaker Sophie Ellis-Bextor, and Miles Kane. If that’s not your bag, you can check out The Charlatans, Soft Play, and Dylan John Thomas over on T’Other stage, or The Mysterines, Corella and Been Stellar at The Leadmill stage. Feast your ears on some emerging talent at The Library stage with Hannah Rowe, Pippa Crossland and Bethany Grace.

Jamie T will take to Sarah Nulty’s main stage on the Saturday night, with Tom Grennan and The Snuts as precursors. You can catch Holly Humberstone, Annie Mac and Jazzy at T’Other stage, or Peace, English Teacher and Cucamaras over at The Leadmill stage.

With us crossing our fingers for a less muddy outro than last year’s festival, on Sunday night everybody’s da’s favourites, Snow Patrol, will close out the festival – but only after sets from The Human League and Example. If you’re looking for a band to ‘take you back’, though, you can catch The Pigeon Detectives at T’Other Stage before Yard Act’s set. Sheffield’s own Ed Cosens will close out proceedings on The Library Stage, rounding out a well-balanced line-up that promises something for everyone.

Are there still tickets for Tramlines 2024?

Yes, there are still tickets available for Tramlines 2024, which you can purchase via their website here.

Weekend Tier 4 tickets will set you back £140 (plus booking fees), with limited Friday day tickets available still for £65 (plus booking fees). More than worth it for one of the most memorable events in Sheffield’s calendar!

The festival also offers punters the chance to take out payment plans, if you don’t want to pay in full.

Words by Beth Kirkbride


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