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martin scorsese il maestro harpers essay content cinema
Film

Scorsese Isn’t Just Correct—His Passion Feels More Urgent Than Ever

Max King -
0
francis lee god's own country ammonite lgbtq+ cinema
Film

Love And Landscape In The Works Of Francis Lee

theindiependent -
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christopher plummer
Film

A Tribute to Christopher Plummer

Katie Heyes -
0
bottle rocket wes anderson 25th anniversary
Film

‘Bottle Rocket’ at 25: Re-Appraising Wes Anderson’s Zany Debut

Warren Bradley -
0
the goldfinch donna tartt ansel elgort film
Film

Did We Judge ‘The Goldfinch’ Too Harshly?

Jack Roberts -
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nixon trump cinema biopic film
Film

Nixon on Film: Is Cinema’s Most Controversial President About To Be Overtaken?

Jack Roberts -
0
cinemas closed odeon no new releases
Film

No Films, But We’re Open: Working at a Cinema During A Pandemic

theindiependent -
0
Retrospective: ‘The Life Aquatic With Steve Zissou’
Film

Retrospective: ‘The Life Aquatic With Steve Zissou’

Kai-Ming Chow -
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‘For Sama’: A Year On
Film

‘For Sama’: A Year On

Jessica Sharkey -
0
film set in schools
Film

We Don’t Need No Education: 20 Films Set in School

Steph Green -
0
captives 1994 tim roth julia ormond angela pope erotic thriller
Dead Sexy

Tim Roth, ‘Captives’ and the British erotic thriller

Steph Green -
0
red sparrow defence reclaim erotic thriller
Dead Sexy

Talkin’ Bout My Reputation: In Defense of ‘Red Sparrow’

Steph Green -
0
exotica atom egoyan grief catharsis
Dead Sexy

Everybody Knows? Grief and Catharsis in ‘Exotica’

Steph Green -
0
Netflix’s ‘365 dni’: The Most Problematic Film of 2020?
Film

Netflix’s ‘365 dni’: The Most Problematic Film of 2020?

Aimee Seddon -
0
in the cut jane campion meg ryan
Dead Sexy

Why Jane Campion’s ‘In The Cut’ is A Misunderstood Masterpiece

Steph Green -
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