EP Review: Indulging The Mobs // Alien Chicks

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Photo Credit: Anya Rose

Post-punk Brixton trio, Alien Chicks, have this month released their first EP, Indulging The Mobs. The band first emerged with their debut single, ‘While My Landlord Sleeps’, released back in the summer of 2022, and since then, they have supported English Teacher on their nationwide tour and have lined up their own series of shows across the UK and the Netherlands.

Their latest release kicks off with ‘Curtains Up’, a bass-heavy, gritty track featuring almost spoken-word vocals, similar in style to their South London contemporary, Shame. This influence extends to other tracks like Verbena Green’, which is deeply nostalgic and reminiscent of the likes of Hole and Pixies. Featuring effortless riffs and almost endearingly careless vocals, the track flows through contrasting elements—soft harmonies, relentless strumming, and rapid-fire rapping—creating a high-powered and eclectic sound that crowds at their upcoming shows will mirror upon hearing it.

‘Frames’ is a punchy, biting, shouty and funky track that stands out as the EP’s centrepiece. It skilfully mixes genres, combining smooth, classic indie vocals with powerful guitar riffs that build into an intense burst of lyrical and sonic energy, echoing the style of Rage Against the Machine. If you’re in search of bass perfection, this song is definitely one to keep on your radar.

In a slightly divergent thematic vein, ‘Qwerty’ features more refined opening vocals before transitioning into a playful drum build-up that leads into a hazy, fun, and almost psychedelic section of the song. With abrupt lyrics like “Estate agents are the worst” and “Times are getting worse” woven into the song’s fabric, it’s evident that the release draws significant inspiration from the deteriorating economic conditions and social insecurity affecting so many young people across the nation. This core narrative underscores the band’s nuanced relatability and accessibility, offering a fresh yet deeply rooted perspective within the contemporary punk scene.

The final two tracks, ‘Steve Buscemi’ and ‘Slinky Man’, highlight the band’s contrasting styles, which will likely become even more distinct as their discography expands. ‘Steve Buscemi’ is an anger-fuelled, tongue-in-cheek punk anthem, while ‘Slinky Man’ is a deliberately underproduced, unserious ballad that draws the EP to a close in a way that leaves you guessing what to expect from their next release. 

Combined, the EP’s six tracks emphasise the band’s disruptive and truly unique presence amidst the rapidly growing post-punk scene. With their timely, politically charged commentary on the state of British society, perfectly balanced with an air of cheekiness and outlandishness, Alien Chicks have created a striking image and sound that not only sets them apart in the industry but also has the potential to redefine what punk means today.

Words by Ruby Brown


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