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The Indiependent
We're providing budding journalists with experience & YOU with incredible articles
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Film
Film Reviews
Page 16
Film Reviews
Film
‘Official Competition’ is a Compelling Reflection On The Vanity and Beauty of Filmmaking: Review
Natasha Matsaert
-
September 19, 2022
0
Film
‘See How They Run’ Is The Latest Hit In Hollywood’s Whodunnit Resurgence: Review
Jake Gill
-
September 16, 2022
0
Film
‘Both Sides of the Blade’ Shows How to Live Without Resolution: Review
Alexander Cohen
-
September 12, 2022
0
Film
‘Bodies Bodies Bodies’ Is A Wickedly Sharp Film For The Modern Generation: Review
Nadira Begum
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September 11, 2022
0
Film
‘Three Thousand Years of Longing’ Is Possibly A Spinster’s Schizophrenic Fever Dream: Review
Jordan Cracknell
-
September 6, 2022
0
Film
‘Return To Dust’ Is A Heartbreaking Depiction Of Rural China: EIFF Review
Reuben Bharucha
-
September 5, 2022
0
Film
‘The Gray Man’ Proves Standard Heroes Are Overrated: Review
Olivia Gacka
-
September 1, 2022
1
Film
‘Nope’ Is A Thrill Ride Without The Twists And Turns: Review
Jamie Davies
-
September 1, 2022
0
Film
‘Huesera’ Terrifies As An Unmissable Mexican Maternal Body Horror: EIFF Review
Eli Dolliver
-
August 27, 2022
0
Film
‘Leonor Will Never Die’ Is A Hilarious And Heart-Warming Love Letter To Filipino Action Films: EIFF Review
Eli Dolliver
-
August 24, 2022
0
Film
‘It Is In Us All’ Could Not Be Saved By An Outstanding Performance From Cosmo Jarvis: EIFF Review
Eli Dolliver
-
August 24, 2022
0
Film
‘Nelly & Nadine’ Tells The Incredible Story of Two Women Who Found Love in A Nazi Concentration Camp: Review
Eli Dolliver
-
August 20, 2022
0
Film
‘Women Behind the Wheel’ Sees Congdon and Haigh Put The Pedal To The Metal: Review
Eli Dolliver
-
August 20, 2022
0
Film
‘Funny Pages’ – A Hysterical and Eccentric Coming-of-Age Film: Review
Ethan Soffe
-
August 18, 2022
0
Film
Historical Drama ‘Whina’ Does Its Māori Namesake Justice: EIFF Review
Eli Dolliver
-
August 16, 2022
0
1
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