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The Amateur (2025) ©Disney/20th Century Studios

‘The Amateur’ Review: Half-Baked Challenge of a Traditional Hero Archetype

April 20, 2025

Fréwaka © Shudder/AMC Networks 2025

‘Fréwaka’ Review: Effectively Eerie Irish Horror

Louis Roberts -

April 19, 2025

Cloud (2024) © Nikkatsu

‘Cloud’ Review: An Underwritten, Soulless Cinematic Experience

April 19, 2025

Born in Flames (1983) © The Jerome Foundation

Arthouse Cinema: Films for Feminists

Penelope Johnson -

April 16, 2025

Freaky Tales © Lionsgate Entertainment 2025

‘Freaky Tales’ Review: Insanely Effective Gimmicks and ‘80s Nostalgia

April 16, 2025

I Am Love (2009) © Rai Cinema

‘I Am Love’ Review: Lush, Sensual and Surface-Level

April 15, 2025

The Ugly Stepsister (2025) © Mer Film

‘The Ugly Stepsister’ Review: Thematically Inspired and Tonally Confused

April 14, 2025

Love, Charlie: The Rise and Fall of Chef Charlie Trotter (2021) © Oak Street Pictures

‘Love, Charlie’ Review: An Undercooked Dish on a Controversial Figure

April 11, 2025

Snow White ©Disney 2025

‘Snow White’ Review: A Much-Needed Exploration of the Classic Fairytale

Mia Stapleton -

April 10, 2025

Shadow of God (2025) © Peterson Polaris

‘Shadow of God’ Review: An Ungodly Viewing Experience

April 8, 2025

Johatsu: Into Thin Air (2024) © Ossa Film

‘Johatsu: Into Thin Air’ Review: New Lives in the Dark

April 6, 2025

Night of the Hunter (1955) © Paul Gregory Productions

My Life in Films: From Goodfellas to Gritty Social Realism

Penelope Johnson -

April 5, 2025

The Monkey (2025) © Black Bear

What Makes Stephen King so Adaptable To Film?

Alex Daud Briggs -

April 4, 2025

Really Happy Someday (2024) © Spindle Films

In Conversation With ‘Really Happy Someday’ filmmakers J Stevens and Breton Lalama

March 31, 2025

The Extraordinary Miss Flower (2024) © Distiller Studios

‘The Extraordinary Miss Flower’ Interview: Emiliana Torrini, Iain Forsyth And Jane Pollard On Letter-Writing As An Art Form

March 31, 2025

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