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The Indiependent
We're providing budding journalists with experience & YOU with incredible articles
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Dead Sexy
Dead Sexy
Dead Sexy
‘Crash’ At 25: Cronenberg’s Most Divisive Oddity
Steph Green
-
February 28, 2021
0
Dead Sexy
The Ingenious Artifice of Brian De Palma’s ‘Body Double’
Steph Green
-
November 29, 2020
0
Dead Sexy
Revisiting ‘Forever Mine,’ Paul Schrader’s Turn-of-the-Millennium Dud
Steph Green
-
November 1, 2020
0
Dead Sexy
Tim Roth, ‘Captives’ and the British erotic thriller
Steph Green
-
August 23, 2020
0
Dead Sexy
Talkin’ Bout My Reputation: In Defense of ‘Red Sparrow’
Steph Green
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August 9, 2020
0
Dead Sexy
Teenage Kicks: Kubrick’s ‘Lolita’ versus Lyne’s ‘Lolita’
Steph Green
-
July 26, 2020
0
Dead Sexy
Everybody Knows? Grief and Catharsis in ‘Exotica’
Steph Green
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July 12, 2020
0
Dead Sexy
Twinception: Body Horror in ‘Dead Ringers’ and ‘Double Lover’
Steph Green
-
June 28, 2020
0
Dead Sexy
Why Jane Campion’s ‘In The Cut’ is A Misunderstood Masterpiece
Steph Green
-
June 14, 2020
3
Dead Sexy
When erotic thrillers go wrong: the failures of ‘Jade’
Steph Green
-
May 31, 2020
0
Dead Sexy
Poppers, Procedurals and Al Pacino in ‘Cruising’
Steph Green
-
May 17, 2020
0
Dead Sexy
Scary Chicks and Ice Picks in ‘Basic Instinct’
Steph Green
-
May 3, 2020
0
Dead Sexy
Introducing ‘Dead Sexy’: A Fortnightly Column about Erotic Thrillers
Steph Green
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April 30, 2020
0