On the road to releasing her highly anticipated debut solo album, ‘Alter Ego’, Lisa’s fourth single, ‘Born Again,’ proves the album will be worth the wait. As a member of the Korean Pop group BLACKPINK, Lisa was both a vocalist and lead rapper, and it’s clear this versatility is integrated into her latest track.
The fast-paced nature of the song feels like a night out on the dancefloor with your best friends. The influence of Andrew Wells, the producer, on this is palpable. The 70’s disco-inspired energy is similar to other songs he’s produced for Megan Trainer. The production is reminiscent of her 2018 single, ‘Let You Be Right.’ It makes sense that Raye, with her soulful vibe, would want to be involved.
Whilst a collaboration with Raye and Doja Cat was not at the top of our 2025 predictions for Lisa; all three artists bring something different to the song. The formula of a powerful female pop trio has never failed us, as we’ve seen on hits like ‘Bang Bang’ and ‘Don’t Call Me Angel’ and so, with ‘Born Again’ it’s clear this is no different. Lisa showcases her traditional technique of slipping in and out of her singing voice to her signature rap style, kindred to her work in Blackpink. However here, centre stage, we get to see it in all its glory.
The track is full of empowerment and a sense of rebirth, like the other singles for the upcoming project. Raye’s involvement makes sense due to the disco nature. As Raye takes over the chorus, she adds additional texture to the record but does not take away from the delivery Lisa previously placed on it. After Raye carries through to the second verse, it’s understandable to wonder how Doja Cat’s style would fit into this musical puzzle.
Doja Cat does not disappoint—she enters the song singing, which only serves to bridge the gap and make the delivery of her rap verse more seamless, which is a clever choice on her part. Her versatility shines through when she attempts melodic runs not typical of her past work, but delivered with ease. When we are taken to the bridge we are greeted again by Raye. She provides her typical rap style that we love on her projects. But Lisa’s vocal delivery in the chorus gives us that final flair before finishing the song.
While this is Lisa’s track, Raye and Doja Cat add brilliance to the record. Lisa has chosen the perfect formula for her fourth single. The change in deliveries and varying melodies towards the end keep the listener engaged, despite the song being almost four minutes long. Each pocket the singers fell into was authentically theirs, but in collaborative moments of the single, it was a powerhouse of talent. If this fourth single can offer us any predictions for Lisa’s debut album, it’s that female empowerment and solidarity are at the forefront.
Words by Jessica Sansoa.
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